Work explores the abstract image as an autonomous visual space, freed from the need to represent recognizable reality. The work unfolds through indeterminate forms, intense chromatic relationships, and shifting spatial structures, questioning established ways of perceiving and interpreting the photographic image.
It's Not How It Should Be thus establishes a visual space without fixed points of reference, in which form, color, and perception become the primary carriers of experience. Rather than offering a definitive meaning, the work maintains the image in a state of openness, allowing it to exist beyond expectations of what it should represent.
Experimental instant photography, Polaroid.